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Furthermore, that $299.99 for Final Cut includes feature updates. It's also a much better deal than Premiere Pro, since in less than a year and a half, you'd spend as much on Adobe's product and still have to keep paying. That's a massive cut from the price of its predecessor, Final Cut Pro 7, which took a thousand-dollar toll on users. The subscription not only gets you program updates, which Adobe delivers semiannually, but also 100GB of cloud storage for syncing media.Īpple Final Cut Pro: Apple's pro video editor costs a flat, one-time price of $299.99. If you want the entire Creative Cloud suite, which includes Photoshop, Illustrator, Audition, and a raft of other Adobe creative software, you need to pay $52.99 per month. There are additional student and business pricing tiers. There are three basic options: an annual plan paid up front, which costs $239.88 (working out to $19.99 per month) an annual plan paid monthly, for $20.99 per month or a month-to-month plan, costing $31.49 per month. PricingĪdobe Premiere Pro: Adobe's pro-level video editor requires an ongoing Creative Cloud subscription.
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If you beg to differ or strongly agree with the points made along the way, feel free to chime in via the comments section at the bottom of the article.
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The goal is to help you make a decision based on what's important in your professional or hobbyist video editing projects. The intention of this comparison is not so much to declare a winner as to point out the differences between the two apps and the strengths and weaknesses of each.
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Both applications are eminently suited to the highest level of movie and TV production, each with extensive plug-in and hardware support ecosystems.
But all of the missing elements have long since reappeared in later Final Cut releases-often in ways that improved on the standard tools. The editing there is fairly powerful, too, with support for multiple transition points in each video eventually, there’ll be support for the same in iMovie and Final Cut Pro.When the 64-bit version of Final Cut Pro (then called Final Cut Pro X) was released in 2011, it lacked some tools that pros needed, prompting a market-share shift towards Premiere. The nice thing about Cinematic mode is that you can change the focal points later on: since the bokeh is artificially added, you can edit the clip and change the subject. That intelligence works reasonably well, generally speaking.
Like Portrait stills, the subject is crisp while the background gets a shallow depth of field effect you can tap different subjects to smoothly switch that blurring, or leave Cinematic mode to intelligently switch by itself depending on what it thinks the most likely subject is. Apple describes it as a far easier to use version of the focus racking that professional videographers rely on expensive camera rigs to achieve it’s probably easier to think of it as Portrait mode but for video. What they’re much more likely to play with is Cinematic mode. Honestly, ProRes is nice but I suspect most people are never going to take advantage of it. That’s if you have anything but the lowest-capacity iPhone 13 Pro: if you opt for the 128GB model, your ProRes support is capped at 1080p/30.
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I even ended up using the iPhone 13 Pro Max for many of my Rivian R1T photos and videos.įor video, there’s up to 4K/60 Dolby Vision HDR recording, or – after an update – ProRes video recording at up to 4K/30fps. There’s talk of future iPhone adding longer-reach periscope zoom lenses, but honestly this current setup is more than enough for most people in day to day use. Lower levels of Apple’s digital zoom are perfectly serviceable, too. As for the 3x optical telephoto, that’s even more useful than the old 2x zoom.
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